Movie : Saawariya
Starring : Ranbir Kapoor, Sonam Kapoor, Salman Khan, Rani Mukherjee, Zohra Sehgal
Director : Sanjay Leela Bhansali
Music : Monty Singh
Releasing Date : November 9, 2007
Bollywood Trade News Network
Abid - August 23 2007
Any project that has the name Sanjay Leela Bhansali associated with it is guaranteed to get the ’prestigious’ tag. Case in point is, HUM DIL DE CHUKE SANAM, DEVDAS and not to forget the National Award winning BLACK.
Bhansali’s next assignment, the November 9 release, SAAWARIYA, featuring Ranbir and Sonam Kapoor (with Salman and Rani in guest appearances), is already a much anticipated movie.
For those who still do not know, Sonam Kapoor is the daughter of Anil Kapoor. In fact, so keyed up is Anil, about the success of SAAWARIYA that he has quit smoking, for the success of the film. Needless to add that ’laadli beti’ Sonam Kapoor is thrilled.
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NY Times Article On Bollywood And Saawariya -
Tanya Palta August 14, 2007
New York Times published a very interesting article recently titled “Hollywood Starts Making Bollywood Films in India” and also focused on Sanjay Leela Bhansali “Saawariya”. Here is the article and a glimpse of the highly anticipated movie which also marks the debut of Sonam Kapoor and Ranbir Kapoor.
Article -
An Indian woman in a flowing beaded gown glides through a pond. A mosquito net brushes over her lover. And to insistent drumbeats of the Indian heartland, a dancing phalanx of tunic-clad women twirls.
These images appear in the trailer of a forthcoming movie, “Saawariya.” The melodramatic film, whose Hindi title means “beloved,” has an Indian director and cast. Its characters speak Hindi and burst into eight song-and-dance numbers. It is, in other words, vintage Bollywood - but for one thing. It is brought to you by Hollywood.
The studio behind “Saawariya,” Sony Pictures Entertainment, is the first in a wave of American studios to produce their own kaleidoscopic Bollywood musicals. The American studios are keen to make money in India, but in a nation where $19 of every $20 spent at the box office goes to indigenous films, the studios are deciding to join Bollywood, not conquer it with their American-made fare.
“The importing of American films into India is not filling a gap,” Gareth Wigan, a vice chairman of Columbia TriStar, the Sony division that produced the film, said by telephone from Los Angeles. “You’re not bringing a dish to a bare table.
You’re bringing a dish to a table where you have to move a lot of other dishes to fit in, and that’s not true in a lot of other countries.”
And so begins a strange competition to make the best Bollywood film, pitting Hollywood against India’s own studios, which make more movies and sell more tickets than any film industry in the world. With international revenues increasingly important to the conglomerates that own the major studios, Hollywood wants to tap into India’s market. But indigenous films captured 95
percent of Indian box office sales in 2006, according to PricewaterhouseCoopers. The figure is identical for domestic pictures in the United States, but just 35 percent in France, 33 percent in Japan and 12 percent in Britain, according to 2005 data published by two scholars, David Waterman and Sang-Woo Lee.
“There is no country on the planet, other than India and the United States, that approaches that level of domestic business,” Andrew Cripps, the president of Paramount Pictures International, said by telephone from Los Angeles. And so Paramount, too, is contemplating Bollywood productions.
Walt Disney has partnered with an Indian studio, Yash Raj Films, to make animated movies. Their first film, “Roadside Romeo,” scheduled for next summer, is a parable of Indian inequality, featuring a dog abandoned by rich owners in Mumbai and forced to brave its hungry streets.
In addition, Warner Brothers is developing two Bollywood projects, including one song-and-dance smorgasbord, according to Richard Fox, a Warner vice president and the head of its international division. In a telephone interview he said the studio would seek to earn a majority of its Indian sales from Bollywood productions. It plans three to six movies annually in the coming years, all with Indian talent.
“We’re not coming to change anything,” Mr. Fox said.
That is Hollywood’s Indian mantra. Sanjay Leela Bhansali, the director of “Saawariya,” was at first wary of Hollywood, and surprised when Sony left him alone. At most, he said, Mr. Wigan would offer gentle suggestions for the script, which is based on Dostoyevsky’s short story “White Nights.”
“There was no compromise asked of the film,” which comes out in India in November, Mr. Bhansali said, staring out at the Arabian Sea from his stylish north Mumbai apartment.
Hollywood is now Bollywood’s competitor, but local filmmakers say Hollywood is wise in trying to mimic, not supplant, Bollywood.
“They’re doing the right thing,” Yash Chopra, one of Bollywood’s most revered filmmakers, said. “To come to a country to make a film is either to understand the culture or break the culture.”
For millions of Indians without a television, movies are primary entertainment. For big families with divergent tastes, Bollywood packages romance, comedy, drama and action into a single serving.
“If you take all the pieces of Bollywood out of our lives - the celebrities on the billboards, the songs in the nightclubs, the stars on Page 3 - Indians would find their lives to be completely empty,” said Shuchi Pandya, a jewelry merchandiser in Mumbai. “It’s subconscious. Even if you don’t enjoy Bollywood movies, it becomes a part of your life.”
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